Focus and Scope

The Journal of the English Literator Society is dedicated to covering a broad range of topics within the field of English Studies. Our main areas of focus include:

  1. Postcolonial Narratives and Resistance
  • This section examines how literature and cultural texts articulate resistance, hybridity, and decolonization in postcolonial societies.
  • We welcome papers on subversion of colonial discourse, indigenous epistemologies, and the reclamation of marginalised voices.
  1. Gender and Sexuality in Literary Discourse
  • Contributions may explore feminist, queer, and non-binary perspectives in literature, analysing how language constructs or challenges gender norms.
  • Topics include intersectionality, erotic literatures, and gendered power dynamics in texts.
  1. Digital Humanities and Literary Studies
  • This theme investigates the intersection of technology and literature, including digital archives, algorithmic criticism, and hypertext narratives.
  • Papers may address AI-generated literature, digital storytelling, or computational analysis of texts.
  1. Ecocriticism and Environmental Writing
  • We invite analyses of how literature engages with climate change, ecological crises, and human-nature relationships.
  • Submissions may focus on eco-poetics, speculative eco-fiction, or indigenous environmental thought.
  1. Translation Studies and Cross-Cultural Exchange
  • This section explores the politics, aesthetics, and challenges of literary translation.
  • Contributions may discuss untranslatability, translator visibility, or adaptations across linguistic and cultural borders.
  1. Diaspora Literature and Transnational Identities
  • Papers may examine displacement, nostalgia, and cultural hybridity in diasporic writing.
  • Themes include migrant narratives, globalization’s impact on identity, and intergenerational memory.
  1. Oral Traditions and Folklore in Modern Contexts
  • We seek studies on the revival, adaptation, or subversion of oral narratives, myths, and folk arts in contemporary media.
  • Topics range from digital folklore to the commodification of traditional storytelling.
  1. Linguistic Landscapes and Multilingualism
  • This theme analyzes how language diversity shapes urban/rural spaces, education, and cultural policies.
  • Submissions may explore code-switching, language endangerment, or visual semiotics in public texts.
  1. Trauma and Memory in Literature
  • Contributions may investigate representations of collective or personal trauma, from war narratives to testimonial literatures.
  • Approaches include psychoanalytic readings, Holocaust studies, or post-memory in fiction.
  1. Popular Culture and Literary Adaptations
  • This section examines adaptations of literature into film, graphic novels, or streaming series.
  • Papers may analyse fan cultures, transmedia storytelling, or the commodification of classics.
  1. Caste and Class in Literary Representation
  • We invite critiques of how caste hierarchies and class struggles are depicted in regional and global literatures.
  • Submissions may address Dalit writing, proletarian literature, or subaltern voices.
  1. Philosophical Undercurrents in Literature
  • Papers may explore existentialism, absurdism, or Eastern/Western philosophical dialogues in literary texts.
  • Themes include ethics of storytelling, metaphysics in poetry, or literature as moral inquiry.
  1. Children’s and Young Adult Literature
  • This theme interrogates ideology, pedagogy, and evolving trends in literature for young readers.
  • Topics include dystopian YA fiction, posthumanism in children’s books, or censorship debates.
  1. Disability Studies and Narrative Representation
  • Contributions may analyse how disability is constructed in literature, film, or cultural discourse.
  • Submissions on crip theory, inclusive language, or neurodiverse narratives are welcome.
  1. Satire, Humour, and the Carnivalesque
  • This section explores subversive humour, parody, and grotesque realism across cultures.
  • Papers may examine political satire, dark comedy, or the liberatory power of laughter.